Audio engineers do not have to give up a lot just to save a little rack space when choosing an equalizer. At Ashly, we believe that engineers should never have to compromise their standards just for the sake of miniaturization. We proudly offer the MQX Series, featuring all the performance and great sound of […]
Audio engineers do not have to give up a lot just to save a little rack space when
choosing an equalizer. At Ashly, we believe that engineers should never have to
compromise their standards just for the sake of miniaturization. We proudly offer
the MQX Series, featuring all the performance and great sound of our legendary
GQX models in an uniquely compact package.
The same exacting filter design and summing circuitry of the GQX Series equalizers
are utilized, with each filter exhibiting true constant Q response. The center detented
position of every fader acts as an on/off switch for its filter. (to minimize any possible
degradation to signal noise levels) Even the faders themselves put these MQX Series
models into a class all their own. Instead of the 20mm plastic faders typically used
by the competition, Ashly has selected a custom-manufactured 25mm slide fader
device. The additional range and accuracy of this component allow us to offer
up to +/-15 dB of boost or cut adjustment on each individual filter. (an Ashly
exclusive in this class of product)
Housed in a rugged steel chassis, each model features balanced inputs and outputs,
with full ground lift provisions. For those engineers looking to avoid those pesky
“wall warts“, you will be pleased to find that we feature internal power supplies
in all Ashly products.
Of course, each MQX Series equalizer is covered by our exclusive Five Year
Worry Free Warranty. Finally, a truly professional graphic equalizer in a smaller
rack space package. When performance, value, and reliability are the most
important considerations, the Ashly MQX Series offers the obvious solution to
limited rack space equalization situations!
Precision Wein-bridge filters for accurate response and low distortion
Constant “Q” design for low ripple and minimum interaction
High quality detented 25mm faders
Balanced Inputs and Outputs
XLR and 1/4″ TRS Audio Connections (and Barrier Strips on MQX-1310 and MQX-2310)
Five Year Warranty
Βάρος
4.10 kg
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Κάνετε την πρώτη αξιολόγηση για το προϊόν: “ASHLY MQX-2150 Γραφικό Equalizer Mono 15 Band” Ακύρωση απάντησης
Audio engineers do not have to give up a lot just to save a little rack space when
choosing an equalizer. At Ashly, we believe that engineers should never have to
compromise their standards just for the sake of miniaturization. We proudly offer
the MQX Series, featuring all the performance and great sound of our legendary
GQX models in an uniquely compact package.
The same exacting filter design and summing circuitry of the GQX Series equalizers
are utilized, with each filter exhibiting true constant Q response. The center detented
position of every fader acts as an on/off switch for its filter. (to minimize any possible
degradation to signal noise levels) Even the faders themselves put these MQX Series
models into a class all their own. Instead of the 20mm plastic faders typically used
by the competition, Ashly has selected a custom-manufactured 25mm slide fader
device. The additional range and accuracy of this component allow us to offer
up to +/-15 dB of boost or cut adjustment on each individual filter. (an Ashly
exclusive in this class of product)
Housed in a rugged steel chassis, each model features balanced inputs and outputs,
with full ground lift provisions. For those engineers looking to avoid those pesky
“wall warts“, you will be pleased to find that we feature internal power supplies
in all Ashly products.
Of course, each MQX Series equalizer is covered by our exclusive Five Year
Worry Free Warranty. Finally, a truly professional graphic equalizer in a smaller
rack space package. When performance, value, and reliability are the most
important considerations, the Ashly MQX Series offers the obvious solution to
limited rack space equalization situations!
Precision Wein-bridge filters for accurate response and low distortion
Constant "Q" design for low ripple and minimum interaction
High quality detented 25mm faders
Balanced Inputs and Outputs
XLR and 1/4" TRS Audio Connections (and Barrier Strips on MQX-1310 and MQX-2310)
Five Year Warranty
Νέα έκδοση S γραφικού equalizer 2/3 της οκτάβας, 2x15 περιοχών constant Q. Επιλεγόμενο εύρος αυξομείωσης 6/12dB, φίλτρο αποκοπής χαμηλών συχνοτήτων στα 50Hz με 12dB ανά οκτάβα. Ισορροπημένες (balanced) είσοδοι και έξοδοι με XLR & TRS jacks, δυναμική περιοχή 108dB, 1U.
The 4.24GS and 2.24GS allow for the installation of multiple channel graphic equalizers ]where tamperproof, sound shaping equalization is required. Control and programming of either product is easily achieved from the 4.24G Main Unit, 4.24RD Remote Control, through the use of Ashly's exclusive Protea System Software running on a PC, or by a MIDI controller. The Protea 4.24GS is housed in an all-steel, 2RU chassis, and has four independent channels of fully programmable 28-band graphic EQ with with limiter, high- and low-pass filter, and time delay functions. The 2.24GS offers the same specs and features in a single rack-space, two-channel unit. Each channel allows for 28 bands of 1/3-octave, ISO centered, constant Q filters, ranging from 31Hz to 16kHz. High and low pass filters are 24dB/octave adjustable from 20Hz to 10.6kHz and 33Hz to 20kHz, respectively. Time delay is adjustable up to 1.364 seconds. Other features include 24-bit A/D-D/A conversion, 24-bit/100MHz digital processing, RS-232, and MIDI interface, linkable channels, +6dB/-infinity master gain, and 128 preset locations. Both units display individual channel numbers with 7-segment displays. Discrete LEDs indicate signal present and signal clip levels. Rear-panel connections include balanced XLR and 1/4" ins/outs for each channel, RS-232, MIDI In, Out/Thru, and Ashly's exclusive digital remote control protocol via two standard XLR connectors.
Compact 9.5" graphic equaliser for studio and live applications
FBQ feedback detection system
Can also be used as an audio analyser
Low-cut filter
Precise 6-segment LED input/output displays and level control for precise level indication
Illuminated faders, potentiometers and illuminated switches
Weight: 0.38 kg
The MINIFBQ FBQ800 features Behringer's FBQ Feedback Detection System that instantly reveals critical frequencies and can also be used as an audio analyzer. An additional low cut filter removes unwanted frequencies such as floor rumble. Accurate 6-digit LED input/output meters and level control are provided for precise level indication. Long-term reliability is guaranteed with Behringer's high-quality illuminated faders, potentiometer and illuminated switches. The ultralow noise audio operational amplifiers offer outstanding sound performance. In addition, all Mini Series models can be stacked on top of each other to create an ultra-compact signal processing solution.
How Does it Work?
Imagine the frequency range of the sound you hear as a highway, a very wide one with nine lanes. Each of these "lanes” represents a single octave of the sonic spectrum. The first four lanes, labeled 63 - 500 (Hz) contain the really low frequency sound content, mainly bass, bass vocals, and the kick and tom drums. The three lanes labeled 1k, 2k and 4k (Hz), make up the fundamental zone of most musical instruments and the male and female vocals. 8k and 16k cover the frequency range of cymbals, snare drums and higher pitched percussion instruments. The FBQ800 allows you to control the flow of audio traffic in each of these nine lanes. When properly applied, EQ makes it possible to hear all of these frequency ranges equally, thus the term equalization.
Feedback Elimination
When a specific frequency, or range of frequencies, reaches too high a level, feedback occurs—that all-too-familiar squeal or howl you get when the mic is too close to the speaker. Basically, feedback happens when there is so much of a particular frequency that it is picked up by the mic and run through the system again. Thatʼs why feedback typically gets louder and louder the longer itʼs allowed to occur. Needless to say, this kind of feedback is very undesirable.
This is where the FBQ800ʼs Feedback Detection System really works its magic. In this ingenious circuitry, LEDs on the individual faders light up when that frequency band is approaching the danger zone. All you need do is lower the illuminated slider until the LED blinks out—voilà, feedback problem solved! What once required a highly trained ear is now an activity that even a child can master.
Sonic Toolkit…
That really is the best way to describe the FBQ800. With its nine frequency bands, you easily fine-tune your sound and instantly eliminate feedback. And each fader can be used to boost or cut the frequency range it controls by as much as 12 dB (and thatʼs a lot!).
Special attention is paid to the low frequency zone. In addition to low frequency faders, the FBQ800 features a Low Cut filter for removing unwanted low frequencies such as floor rumble, room resonance, electrical hum, etc. This is especially handy if your system is being used for speech rather than music.
To Boost or to Cut, That is the Question
Raising and lowering specific frequency bands can improve the frequency response of any roomʼs acoustics. For instance, if the room youʼre in is "bass-heavy,” lowering the 63 and 125Hz faders can help eliminate an overall "boomy” or "muddy” sound. Likewise, gently boosting the 8 and 16k sliders can add sparkle to a somewhat "dark” mix. Are the vocals getting lost in the mix? Raising the level of the 1k slider can help bring them out.
Itʼs important to note that raising a single fader level is not always the best solution; itʼs often better to lower the bands surrounding the frequency you want to bring out, and then boost the overall volume level to achieve better headroom.
Built for Accuracy and Reliability
Speaking of headroom, FBQ800ʼs 6-digit LED I/O meters and level control are provided for precise level maintenance. Long-term reliability is ensured, thanks to high-quality illuminated faders and switches, and our ultra low-noise audio operational amplifiers provide outstanding sonic performance. In addition, all Mini Series components can be stacked to create an ultra-compact signal processing solution.
Mini Series mixer with built-in feedback detection.
FEATURES
Ultra-compact 9.5" graphic equalizer for studio and stage applications
FBQ Feedback Detection system instantly reveals critical frequencies
Additional Low-cut filter removes unwanted frequencies, like floor rumble
6-segment LED input/output meters and Level control for precise level indication
High-quality illuminated faders, potentiometers and illuminated switches
SPECIFICATIONS
MINIFBQ FBQ800 9-Band Graphic Equalizer with FBQ
INPUT
Type 1/4" TRS connectors (balanced) or
RCA connectors (unbalanced)
Impedance approx. 20k ohms, balanced
approx. 10k ohms, unbalanced
CMRR 40 dB typ. @ 1 kHz
Max. input level +15 dBu
OUTPUT
Type 1/4" TS connectors (unbalanced) or
RCA connectors (unbalanced)
Impedance approx. 120 ohms
Max. output level +15 dBu
SYSTEM SPECIFICATIONS
Frequency response 10 Hz to 200 kHz, -3 dB
Dynamic range 110 dB, 10 Hz to 22 kHz
Distortion 0.003 % typ. @ 0 dBu
Crosstalk
Signal-to-noise ratio 10 Hz - 22 kHz
GRAPHIC EQUALIZER
Type 9 analog stereo bands
Control range ±6 dB or ±12 dB, switchable
Bandwidth 1 oct.
OTHER FEATURES
Low-cut filter 75 Hz (12 dB/oct.)
Input level control -12 dB to +12 dB
POWER SUPPLY
Mains connection external power supply
9 V ~ / 750 mA
Mains voltage
DIMENSIONS/WEIGHT
Dimensions (H x W x D) approx. 1 8/9" (48 mm) x 9 5/9" (243 mm) x 4 5/7" (120 mm)
Weight approx. 0.86 lbs. ( 0.39 kg)
DBX 1215
Ισοσταθμιστής 2 x 15 περιοχών με XLR IN/OUT
1215 Dual 15-Band Graphic Equalizer
The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.
Switchable boost/cut ranges of ±6 or ±15 dB
Electronically balanced/unbalanced inputs
Servo balanced/unbalanced inputs
RF filtered inputs and outputs
XLR, Barrier Strip, and 1/4" TRS connectors
-12dB/+12dB input gain range
18dB/octave 40Hz Bessel low-cut filter
Chassis/signal ground lift capability
Internal power supply transformer
Power-off hardwire relay bypass with 2-second power-up delay
DBX IEQ15
Γραφικό equalizer 2x15 περιοχών, με ενσωματωμένα
anti-feedback AFS, type V noise reduction, peak stop
limiter. XLR, ??? και euroblock είσοδοι & έξοδοι
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