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If you want to play smashing rock with tamed gain, this should be the amp of your choice. Killing tube tone and incredible handling ease are the trademarks of this amp-line. Sparkeling clean, harmonic crunch and powerful leads are the goodies youíll get from our SCREAMER.
Preamp:
4 channels, Clean, Crunch, Soft Lead, Heavy Lead, single 3 band EQ,
Lead Presence, Reverb, Bright switch, 3 x ECC 83 preamp tubes.
Master section:
V.L.S. (two different master volumes), 50 watts
(1 x ECC 83, 2 x 5881 power amp tubes)
| Power: | 50 Watts | | Channels: | 4 | | Equalizer: | 3 Band EQ | | Outputs: | Balanced Line out – recording compensated with level pot, adjustable fx loop (parallel to serial), speaker out (2?4, 2 x 8, 1 x 16 Ohms, 2 dual footswitch jacks (Z-3/Z-4). | | Valves: | 3 x ECC 83 preamp and 1 x ECC 83, 2 x 5881 power amp | | Dimensions ( W x H x D ): | 58 x 27 x 27 cm | | Weight: | 17 kg |
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Info
Marshall 2555X Silver Jubilee, all-valve electric guitar head, 100W, 2 channels, preamp tubes: 3x ECC83, power amp tubes: 4x EL34, 1x input, controls: input gain (push/pull: rhythm clip), lead master, output master, treble, middle, bass, presence, pentode/triode switching, FX loop, DI out, incl. footswitch (channel change), speaker outputs: 1x 16 ohms, 1x 8 ohms (or 2x 16 ohms) & 1x 4 ohms (or 2x 8 ohms), dimensions: 750 x 230 x 310mm, weight: 22,1kg
| With jangly cleans and high gain filth coexisting in perfect harmony, TH Series amplifiers excel whatever the situation. The Dirty channel features the same powerful Shape control first seen on our Thunderverb series, sweeping the midrange from scooped to boosted. Fine-tuning your distorted tones has never been easier or more rewarding. The Clean channel delivers sweet, crystalline cleans, right up to the point of breakup, whilst the Dirty channel remains unerringly focussed, steeped in complex harmonic overtones even at maximum gain settings.
The TH30 has proved to be one of the most popular heads in the Orange range, and with good reason. The sheer range of tones that can be dialed in from just six controls is nothing short of jawdropping whilst the quartet of EL84 valves convey their own crisp character, breaking up into rich overdrive when pushed to the limit. The switchable output section can be used to tailor the amp to the situation, scaling down from 30
to 15 or 7 Watts. The TH30 also features our low impedance valve buffered effects loop. | The JVM Series from Marshall is the most comprehensive range of professional, all-valve amplifiers ever offered. No other multi-channel, multi-mode amplifier delivers the amazing all-valve tone offered by the JVM at any price. Multiple, all-valve voicings provide an amazing array of tones which are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. Hailed as a breakthrough in amplification by the worldʼs guitar press, the JVM Series offers a powerstage built on the peerless EL34 designs responsible for the legendary Marshall roar.
Outstanding Tone
The JVM Series uses a carefully designed, 4 x ECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package.
Ultimate Flexibility
Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation.
Seamless, Silent Switching
Ultimate Control and Connectivity
Every JVM is supplied with a fully programmable footswitch. This revolutionary, patent-pending technology allows single front panel switching (SWITCH STORE) or entire set-ups (PRESET STORE – Channel/Mode, Reverb, FX Loop, Master Volume) to be simply assigned to any footswitch . . . or, even cooler, a mix ʽnʼ match of both modes. Housed in a rugged metal casing with blank panels on its surface which allow the user to label the pedal exactly as they want, the JVM pedal has no restrictive factory set-ups or functionality barriers, plus itʼs a breeze to program. The multi-coloured LEDs reflect every front panel switch status so you know exactly where you are, in the heat of a performance, without the need to glance at the amplifier itself.
The JVMʼs MIDI In and Thru connection means it can easily be integrated in a MIDI switching set-up, allowing you to store and recall 128 amplifier set-ups and enabling your MIDI effects board to easily control the amp. With its built-in memory and switching options the possibilities are endless!
Studio-Quality Reverb
Effective Control
Each JVM boasts two FX Loops that live on its rear panel. A footswitchable Parallel/Series Loop with Level and Mix controls plus a Series Loop with a Bypass switch. Combine the JVM with a MIDI FX processor and a MIDI footswitch and the skyʼs the limit!
The Tone of the Cone
In the case of the 2x12 in. JVM combos, after exhaustive testing of every speaker available, all agreed that the pairing of a Marshall/Celestion ʽHeritageʼ with a Marshall/Celestion ʽVintageʼ was the only way to go as the combination produces a fantastic depth and breadth of sound while maintaining a tight, musical response and a solid low-end thump. In the case of the 50 Watt 1x12”combo, a Celestion G12B delivers a full, wide sound that is much "bigger” than the JVM215Cʼs compact size would suggest.
Every JVM is made at the Marshall factory in the heart of England. Time-tested craftsmanship and construction are combined with the latest advances in manufacturing technology, ensuring world-class build quality and roadworthiness.
Internally, the JVM circuitry and layout has been kept as simple and logical as possible, ensuring the integrity of the guitar tone and an incredibly low noise-floor for such a high gain beast. Four, double-sided PCBs are used and connections are kept to a minimum to ensure maximum reliability. Only the best components are used to ensure very high quality and all of the internal wiring and amplifier assembly is performed by hand. Strict quality controls ensure every unit made is worthy of the world-renowned and respected white script Marshall logo. Meticulous valve selection adds further to the all-important tone and reliability that are both synonymous with the Marshall legend.
Technical Info
Output (RMS): 100 Watts
Speakers: No
Pre-amp Valves: 4 x ECC83
Power Amp Valves: 1 x ECC83, 4 x EL34
Footswitch (Supplied): PEDL-00045
Dimensions (Millimeters): 750 x 310 x 215
Weight: 22 kg, 48.5 lbs |
The Palmer MACHT 402 is a 19" stereo power amplifier specially designed for guitar applications. It pumps out 200 watts per channel and 400 watts bridged to drive virtually all speaker cabinets. Featuring a highly efficient switch mode power supply and low noise fan the soft start class D design is protected against overvoltage, DC, short circuits and overheating.
Conventionally named, the channels' Hi and Low controls have been carefully tailored for guitar signals to provide extensive EQ facility, a wide variety of sounds and authentic tube power stage characteristics. In addition, the MACHT 402 sports rumble filtering, LED indicators, a 3-way sensitivity selector, built-in limiter and ground lift switch. With XLR and 6.35 mm inputs as well as Speakon compatible and 6.35 mm output connectors the Palmer MACHT 402 is the ideal power station for guitar preamps, small amps, modelers and even effects pedals.
- Product type: Amplifier
- Type: 2-channel
- Output power (1 kHz 4 ohms): 2 x 200 W
- Output power (1 kHz 8 ohms): 2 x 100 W
- Output power (1 kHz 8 ohms, bridged mode): 400 W
- Circuit concept: Class D dynamic
- Frequency response: 20 - 20,000 Hz
- THD:
- Voltage gain: 32 dB / 26 dB / 28 dB
- Input sensitivity: 0.68 V / 1.4 V / 1.2 V
- Protection: Soft-start, short-circuit, DC, overheating, overvoltage
- Controls: On/Off, Volume, High, Low, Mode (bridge / parallel / stereo), Ground Lift, Limiter, sensitivity
- Indicators: Power, Signal, Clip, Protect, Mode (bridge / parallel)
- Line input connectors: 2 x XLR, 2 x 6.3 mm jack
- Speaker output connections: 2 x Speakon-compatible, 3 x 6,3mm jack
- Cooling System: low-noise fan
- Power supply: switching power supply
- Power Consumption Full Load: 470 W
- Operating voltage: 115 V AC / 230 V AC (switchable)
- Width: 482 mm
- Height: 44 mm
- Depth: 244 mm
| Featuring a 30 Watt output section the Dual Terror head is the most powerful in the Terror range, offering more clean headroom and volume than the Tiny Terror with the added flexibility of a second channel. The ʽTiny Terror Channelʼ is lifted straight from the original 15 Watt version, retaining the signature tones that made the Tiny Terror such a hit. However, with double the power on offer, it packs an even fiercer punch.
The additional ʽFatʼ channel provides extra girth with its more rounded, slightly gainier character, perfect for leads or for balancing between two different guitars on stage. The Dual Terror switches from 30 to 15 to 7 watts, making it a perfect portable amp head for both for studio and stage. |
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