EDIROL R-4 Portable Audio Recorder – WAVE Editor 4CH.

Why are 4-channels of audio better than 2-channels?

• Capture more ambient sound at any shoot for an overall more convincing soundscape.
• Place mics on each participant in conferences, panels, reporters, etc.
• Redundancy or backup in case of camera mic noise or drop out.
• Simplify wedding shoots with a mic on the bride, groom, officiator and a mic for ambient sound.
• Video editing environments now support multi-channel audio as standard.

• Main Features

  The R-4 brings you a new generation of portable recording. Enjoy superb sound quality. Use the 40GB hard disk drive for extended recording. Record up to four channels at once. Edit waveforms on the recorder itself. All this plus a compact size and light weight that assure outstanding mobility in the field. The Edirol R-4. Gear up for the new generation of portable recording.

  Extended Recording with 40GB Hard Disk Drive
  Equipped with a 40GB hard disk drive, the R-4 can record up to 17 hours at maximum sound quality or up to 58 hours at CD quality.

  Superior 24-bit/96-kHz Linear Recording
  Totally uncompressed recording assures outstanding sound quality. Choose 16-bit or 24-bit quantization and a sampling rate of 44.1 kHz, 48 kHz, or 96 kHz. Save data as WAV files.

  Simultaneous 4-Channel Recording
  The 4 XLR/Phone combo jacks come with switchable phantom power and give you a choice of MONO, STEREO, STEREO X2, or 4CH recording. Digital input/output is also provided.
  Four-channel recording gives you exceptional flexibility. For example, you can use mics to capture the ambience of a performance hall while using line input to record the performance itself. Or you can record at several different level settings simultaneously.

• Five High-Quality Effects
  The R-4 lets you tailor the sound during both recording and playback.

• L Terminal for Linking a Digital Video Camera
  The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.

  Waveform Editing Using Only the R-4
  The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.

  Index Any Point Instantly
  Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.

  Easy Playback with the Jog Dial
  Use the jog dial to fast-forward or rewind at any of seven speed levels.

  Built-In Stereo Speakers
  The R-4's built-in speakers make it easy to monitor recorded sound without headphones.

• L Terminal for Linking a Digital Video Camera
  The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.

  Waveform Editing Using Only the R-4
  The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.

  Index Any Point Instantly
  Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.

  Easy Playback with the Jog Dial
  Use the jog dial to fast-forward or rewind at any of seven speed levels.

  Built-In Stereo Speakers
  The R-4's built-in speakers make it easy to monitor recorded sound without headphones.

• 12 discrete channels (8 mono plus 2 stereo channels) with XLR and 6.3 mm jack sockets
• Simultaneous recording of up to 14 tracks
• Playback of 12 tracks
• 24-bit USB audio interface with 14 inputs and 4 outputs
• Sampling frequency: 44.1 / 48/96 kHz
• Five powerful headphone outputs with individually adjustable monitor mixes
• Expand your livestream and recording with backing and click tracks from the computer
• Line inputs in RCA and TS jack format
• Hi-Z connections: channels 1 and 2
• 26 dB pad: channels 3 to 8
• Integrated compressor controller: channels 1 to 8
• Master mute button
• High-pass regulator
• Adjustable stereopanorama
• Master and monitor outputs AE
• Memory function for up to nine mixers
• 16 internal, editable delay and hall effects
• Integrated talkback microphone
• Class-Compliant operation (for iOS compatibility)
• SD-card slot

When inspiration hits, the last thing you need is a user interface that gets in the way. Slows you down. Turns you off. No fear of that. 25 knobs and 13 sliders get you immediate access to where the action is.

Unique to the MR16HD are 33 stellar EQ presets available to each input and 2 AUX sends for connecting to external gear. Add to this the convenience of WAV file recording, digital effects, mastering effects, analog guitar distortion and mic simulation and youʼve got just about the slickest, highest quality and downright easiest to use 16 track available on the market.

Features:
16 recording tracks to hard drive 16-bit resolution at 44.1 kHz -- no compression

4 track simultaneous recording -- great for capturing multiple instruments/vocal parts

4 XLR inputs With phantom power and trim control

Extended recording time -- more than 7.5 hours of 16-track recording at CD quality

Full 16-track bouncing Mix-down -- all tracks in stereo

FAT32 Disc Format and WAV Recording Plus USB port for easy transfer of recordings to PC

2 x AUX For connection to outboard gear

S/P DIF Digital Out For digital mastering to external CD recorder, MD etc.

Input EQ Library 33 sound shaping presets available for all inputs

Fantastic Built-In Digital FX Reverbs, guitar amp simulations etc. (see MR-8HD)

Analog Guitar Distortion Awesome distortion (see MR-8HD)

Direct CD-RW Connection via USB Master direct to USB CD-RW (no PC required)

MR16HD/CD model Features as above with in-built CD-RW

WavManager(Windows) ver 2.01 WAV Manager is a utility software application that enables you to import each audio track from a song created using the MR-8, MR-8mk2, MR-8HD, and MR16HD (hereinafter called MR-8/HD) Multitrackers into your PC as a standard mono WAV file (eight files for an 8-track song). In addtion, WAV file data created and edited on the PC can be exported to MR-8/HD.

The New Version 2.01 Now Features:
CD Writing function (now you can burn a CD from your MR-8/HD using the CD-R/RW drive in your computer

A-B part Import Function

New Song Creating Function.

WavManager (Mac OS) ver 2.0 WAV Manager for Mac is a utility software application that enables you to import each audio track from a song created by the MR-8 and MR-8HD (hereinafter called MR-8/HD) into the Mac as a standard mono WAV file (eight files for an 8-track song). Also, WAV file data created and edited in the Mac can be exported to MR-8/HD.

Optional MR16HDCD Recording Studio Pack Contents:
1 x Stoppit Microphone Pop Filter/Popper Stopper

2 x CBI American-Made Instrument Cable GA-1 (10 foot)

1 x On Stage 7701B Tripod Boom Mic Stand

1 x Audio-Technica AT2020 Side Address Studio Microphone

1 x Memorex CDR80 50-Pack Spindle (52x, 700MB)

1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)

1 x CBI MLC20 Mic Cable (20 Foot)

Optional MR16HD Recording Studio Pack Contents:
1 x Hosa CPP203 Dual 1/4 in. To Dual 1.4 in. Cable (9.75 Foot)

1 x RaXXess Stoppit Microphone Pop Filter/Popper Stopper

1 x OnStage 7701B Tripod Boom Mic Stand

1 x Whirlwind MC20 XLR Microphone Cable (20 Foot)

1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)

1 x Audio-Technica AT2020 Side Address Studio Microphone

1 x Memorex CDR80 50-Pack Spindle (52x, 700MB)

• 2-channel field recorder in Stereo or Mono on Compact Flash or Micro drive cards
• Light weight with rigid chassis
• FAT32 file system & BWF Stereo file format + MP3 recording/playback
• Built-in Stereo microphone for quick memo recording
• 2 x XLR mic inputs with phantom power to accept professional microphones
• High resolution recording at 24bit 96kHz
• Mic Trim for accurate recording level adjustment
• Automatic Level Control (ALC - OFF/ALC/LIMITER)
• Hi-Pass Filter
• Backlit 132 x 64 dot matrix LCD display
• Two-hour capacity on 4GB CF card with Stereo 24 Bit/96 kHz resolution  
• Pre-record buffer (2 secs) ensures full-take recording with no inadvertent loss
• Auto File Closing (the recording file auto-closes every minute to secure recorded data)
• Auto Shut-off function when the input power becomes abnormally low to save data
• Convenient file naming mode: DATE or TAKE
• 4 hours operation on 4 x AA Alkaline / Ni-MH batteries
• 8 hours operation possible with optional rechargeable NiMH battery pack
• Wired remote controller with microphone attachment belt
• USB 2.0 data transfer to Mac or PC computers for further editing and post-production
• Comes with 128MB CF card, AC adapter, dedicated shoulder belt and carrying pouch

The FR-2LE is a compact field memory recorder for professional use offering 24bit 96kHz recording in the industry standard BWF file format. It has a good pedigree given Fostex's previous success with their DAT portables (PD2 & PD4) and latterly with their solid state FR-2 and its optional full timecode facility.

Now with their latest FR-2LE, they have an even more compact offering for high quality field recording, interview recording (MP3 mode also available), or simple film/broadcast audio recording.

The FR-2LE is equipped with two professional phantom powered XLR microphone inputs (XLR-Jack combo) complete with precise control over the recording level. It features a 1 take = 1 file recording system which eliminates overwrites and its 2 second ʽpre-recordʼ buffer means there should never be a missed take or lost soundbite. Thereʼs also an MP3 mode and built-in stereo microphone.

Feature rich, elegant in operation, good pedigree - the new FR-2LE looks assured of success.

MAIN FEATURES

• Long Battery Life

The FR-2LE can run for up to 4 hours on 4 x AA Alkaline batteries and up to 8 hours with the optional NiMH BATPACK battery pack. A choice of two BATPACK chargers are also available - one for the mains and one that also charges your pack from a 12V car outlet.

• Extended recording times

Over 6 hours @ 16bit 44.1kHz recording on an 4Gb CompactFlash card.

• Professional inputs

Dual XLR inputs (XLR-Jack combo) with top quality microphone pre-amps, trim control and phantom power. Analogue out is provided on phono (RCA) connectors.

• BWF or MP3 recording

Record up to 24bit 96kHz audio.

• Tough construction

Manufactured from high-grade materials and specifically designed for professional location recording.

• Fail Safe Recording

In addition to a 1 take = 1 file system to eliminate overwrites, the FR-2LE also features Auto File Closing which closes files at one minute intervals, thus preserving the data in the event of a power failure.

• USB 2.0

The USB 2.0 port allows direct connection to PC and MAC for easy file transfer.

The Tascam iM2X turns an Apple iPhone 4, iPad or iPod Touch 4G into a powerful PCM audio recorder for CD-quality recordings. It consists of a pair of condenser microphones and a high-quality preamp and plugs into the dock connector of the iOS device. The microphone elements are XY oriented for clear stereo definition and minimal phase differences. Moreover, they are adjustable over 180 degrees for the best sound placement.

Unlike mics that use the iOS deviceʼs built-in preamp, the iM2X with its internal A/D converter ensures low noise and better linearity in frequency response. The microphone elements also used in Tascam DR series recorders can handle sound pressure levels up to 125 dB to capture the loudest concerts and instruments without distortion. Thanks to an input level control and a two-colour level meter, level adjustment is very simple. A switchable limiter also contributes to this by reducing sudden peaks and protecting against unforeseen overload.

The iM2X powered through the dock connector, so no battery is required. A USB input is provided to charge the iOS device for long recordings, either through a computer or a USB charger.

An appropriate 2-track recording application (Tascam PCM Recorder) for iOS devices can be downloaded from AppStore at no charge.

Main Features

Turns your Apple iPhone 4, iPad or iPod Touch 4G into a high-grade PCM audio recorder
Stereo condenser microphone in XY orientation for clear stereo definition and minimal phase differences
Accepts sound pressure level up to 125 dB SPL
Microphone can be swivelled by 180 degrees to capture sound sources in front or behind the unit
Allows recordings in CD quality (44.1kHz/16-bit)
Input level rotary control
Input level indicator (green/red)
Switchable limiter to avoid distorted recordings
Power supply via dock connector, no battery required
USB connector available for recharging the iOS device
Easy setup (attaches to the deviceʼs dock connector)
Tascam 2-track recording app can be downloaded from the Apple AppStore at no charge
Specifications

General
Microphone type        Cardioid condenser (stereo)
Maximum input level        125 dB SPL
Input level adjustment range        0–40 dB
Frequency range        10 Hz – 20 kHz
Sampling frequency        44.1 kHz
Bit rate        16 bit
iOS device recharging port        USB Mini-B connector
iOS device connector        30-pin dock connector
Device support        iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2, iPad or iPod touch (4th generation)
Power supply and other specifications
Power supply        Provided through the iOS device connector
Power consumption        90 mW
Dimensions (W x H x D)        56 mm x 57 mm x 22 mm (including connector)
Weight        30 g
Operating temperature range        5–35 °C
Design and specifications subject to change without notice.