DYNAUDIO BM 15A LEFT Studio Monitor (Piece)

The BM15A is a revolutionary nearfield monitor offering exceptionally high performance. Its full range extended bass response makes it the perfect nearfield monitor, particularly for commercial studios, project studios and post production facilities. The BM15A is a relatively large 2-way active system comprising of a large 240mm (10“) woofer, a special version of the Dynaudio ESOTEC soft dome tweeter and an electronic phase-aligned crossover, which feeds the build-in dual, high performance discrete MOSFET amplifiers. The ESOTEC HF driver spells quality and headroom due to a dynamic headroom of 1000W, and the 240mm (10“) bass driver is world-renowned for its 100mm (4“) aluminium alloy voice coil, which outperforms most 300mm (12“) drivers in terms of power output and sheer punch.

    * Active studio monitors with USB audio interface
    * 4.25-inch magnetically shielded, inverted cone, copolymer woofer
    * 1-inch silk dome high frequency driver
    * 2 x 20 watts of internal stereo power
    * Two combination mic and instrument/line inputs
    * Two 1/8-inch stereo headphone outputs with level controls
    * Includes Cakewalk® Sonar LE music production software
    * Mic and instrument/line gain control with clip LED
    * 16-bit 44.1kHz/48kHz
    * Stereo RCA and 1/8-inch aux inputs
    * 2-position switch for no-latency direct stereo and mono monitoring
    * Mix control to balance computer and audio sources
    * USB and speaker cable included

The combination of the dedicated 3" LF and 3/4" HF drivers together with the built-in D-class power amplifier delivers unparalleled audio performance in this class.

The PM0.3, inheriting the familiar cosmetic design of the best selling PM-series, is ideal for space-limited desktop home studio, PC audio and MP3 reproduction.

In DetailNewly designed 3" fiber glass cone woofer and 3/4" silk dome tweeter drivers.

Quality matt finished front baffle with a choice of three colors (black, gray and white).

Wooden enclosure box for best audio performance.

Compact yet highly efficient built-in digital amplifier of 15W each channel.

2 x inputs; RCA (L,R) and stereo mini.

Specifications
SPEAKER SECTION

LF driver:    3" (7.5cm) cone speaker
HF driver:    3/4" (19mm) soft dome tweeter
Frequency Response:    110 Hz – 20kHz (+-3dB)
Crossover Frequency:    2.65kHz

AMPLIFIER SECTION

INPUT A
    Connector:    RCA
    Input Sensitivity:    360mV
INPUT B
    Connector:    Stereo Mini
    Input Sensitivity:    650mV
Output Power:    15W + 15W (RMS)
T.H.D.    less than 0.1% (at 1W, 4-ohm loaded, 20-20kHz)
S/N Ratio:    90dB or less (A-weighted)

GENERAL

Power Supply:    DC IN 15V
Dimensions:    100mm (H) x 185mm (H) x 130mm (D) excluding protrusions
Net Weight:    2.9kgs (1.49kgs R unit + 1.44kg L unit)
Supplied accessories:    AC Adapter, L-R Speaker Cable (1.5m), Stereo mini – Stereo mini cable (0.8m)
 

Capable of producing peak SPL of over 120 dB per pair, and with a low frequency response extending down to 35 Hz, the 8050B is a powerful wideband bi-amplified monitoring system.

Our Intelligent Signal Sensing (ISS) feature, reduces power consumption to less than 0.5 watts by automatically switching the active monitor to standby, when no audio signal has been detected for some time. When it receives an audio signal again, the loudspeaker turns back on.

ISS is fully compliant with the latest EU requirements and the ErP 2013 Directive for electronic devices.

It is an excellent tool for large recording studios, broadcast and surround installations, mastering suites and TV and post-production houses.

The sophisticated low level active crossover has versatile controls for matching the monitor to difficult acoustic environments.

Dedicated very low distortion amplifiers power the drivers, with overload protection for each driver.

The stiff, volume efficient MDETM (Minimum Diffraction EnclosureTM) enclosure and long, curved, flow optimized reflex port combined with low distortion drivers provide solid, clear, low frequencies with a minimum of compression, distortion and port noise artifacts.

The gently curved sided and front MDETM enclosure and advanced Genelec Directivity Control WaveguideTM (DCWTM) provide exceptionally smooth on and off axis frequency responses, precise imaging and optimal directivity across the whole audio spectrum.

Mounting of the 8050B is easy using the included Iso-PodTM(Isolation Positioner/DecouplerTM) which eliminates coloration of the sound by decoupling the monitor from its mounting surface. The monitor can be tilted on the Iso-PodTM to point the acoustic axis directly at the listening position.

Other mounting options are possible using the integrated mounting point on the rear of the enclosure, or the M10 threaded hole on its base.

The Genelec 8130A Digital Monitoring System has a 192 kHz/24 bit digital audio interface.
Due to its compact size, integrated construction, excellent dispersion and precise stereo
imaging, the 8130A is ideal for near field monitoring, mobile vans, digital audio workstations,
broadcast and TV control rooms, surround sound systems, home studios, multimedia
applications and also for use with computer soundcards. The Directivity Control Waveguide?
(DCW?) technology provides excellent frequency balance even in difficult acoustic
environments.
The integrated design allows the amplifiers and the drivers to be calibrated as a single unit,
eliminating the effects of component tolerances and ensuring consistent quality.
The all-aluminium Minimum Diffraction Enclosure? (MDE?) and advanced Directivity Control
Waveguide? (DCW?) technologies are carefully matched with advanced amplifier and electronics
circuitry. The low frequency response extends down to 55 Hz (-3 dB) while distortion is extremely
low due to a uniquely new rear reflex port design.
The 8130A has been specially designed to have a sufficient LF extension for most situations.
However if greater SPL's and a lower cutoff frequency are required, it can be complemented
with Genelec 7050B subwoofer.
The 8130A is very easy to set up and use, the only connections required are the mains supply
and the input signal. The female XLR input connector can be fed with either AES/EBU formatted
digital signal or analog line level audio signal. The Genelec 8130A automatically detects analog or
digital signals and directs them to the correct signal paths.

Technical Specifications
Input word length 16 - 24 bits
Input format AES/EBU
Digital input XLR female
Connector type 
Input Sampling rate
No de-emphasis  29 - 200 kHz
Input Sampling rate
Using de-emphasis 
Peak per pair with music material 108 dB SPL @ 1m
Drivers
Bass 5" magnetically shielded
Midrange -
Treble 3/4" metal dome, magnetically shielded
Crossover frequencies 3 kHz
Free field frequency
response 58 Hz - 20 kHz (± 2 dB)
Amplifier power /ch
Bass 40 W
Midrange -
Treble 40 W
Speaker dimensions (H x W x D)
mm 285 x 189 x 178 mm (Height with Iso-Pod? 299 mm)
inches 11 1/4 x 7 7/16 x 7 1/16" (Height with Iso-Pod? 11 13/16“)
Amplifier dimensions* (H x W x D)
mm Integrated in the speaker cabinet
inches 
Speaker weight 5.6 kg (12.3 lb)

PRICE PER UNIT

ΤΙΜΗ ΤΕΜΑΧΙΟΥ

Main Monitors: S6X & S7A Mk2

The main monitors S6X and S7A Mk2 are designed for large control rooms and film studios. They present a completely new, impressive
concept: to transport the unique realism of the ADAM monitors at a very high SPL level. In accordance with ADAMʼs main goal to achieve the best possible authenticity in music reproduction, any overemphasis of the bass frequencies should be avoided. Furthermore, it is essential for neutral sound characteristics at high volumes to achieve a wide dispersion in the horizontal plane and a somewhat narrower dispersion in the vertical plane, thus reducing reflections from the ceiling, the floor or a mixing console. Less reflection means superior imaging and better localization, facilitating the best possible transportability of mixes across the widest range of playback systems.

Advanced DʽAppolito-array

The arrangement of the seven discrete drivers facilitates a gradual transition of the chassis dimensions. One of the most important aspects of these monitorʼs new approach is the horizontal symmetry of the drivers, which could be referred to as advanced D´Appolito array. If the drivers are filtered properly there are – besides the dispersion characteristics mentioned previously – two more advantageous results:

• There is an absence of any sudden change in directivity with frequency, leading to harmonic dispersion behavior throughout the audio band. The absence of sudden changes in directivity is not visible in a frequency plot, but clearly audible - especially with a full range of materials, from single complex sources such as the human voice to the wide sonic palette of large orchestras.
• The dynamic capabilities of the monitor are distributed over the audio band more equally, and louder recording or mixdown sessions with SPL´s of 120dB are handled without offending the ear.

Impulse Coupling

In order to get a precise and undistorted reproduction, all drive units are mounted on an ultra stiff Aluminum honeycomb plate (=IC).

Amplifiers

Both the S6X and the S7A Mk2 ADAM use the new generation of switching amps and power supplies (=PWM).

These are combined in an extremely powerful (1000 and 1500W rms respectively) yet cool amplifier assembly. Together with the built in overload protection circuits these amplifiers will run reliably and at constant safe operating temperatures not possible with conventional designs.

The amplifiers are of extremely low output impedance, leading to a damping factor >4.000, enabling them to strictly control the motion of the drive units.

The S6X: accuracy and power

The S6X is one of the most ambitious studio monitors available today. They can be found in some of the highest profile studios in the industry, from elite private studios to world class jazz, from rock and orchestral tracking and mixing facilities to high powered hip hop production rooms. The concept of the horizontal symmetry of the drivers is greatly affected by the generous proportions of the larger diaphragms, resulting in both exceptionally flat frequency response and extremely realistic dynamic reproduction across the entire audio spectrum. Numerous controls at the front panel allow detailed adaptations to different acoustic environments.

This main monitor offers very high accuracy and power in sheer abundance. SPL peaks beyond 120 dB are produced without any compression or harshness. The S6X is a top shelf choice for larger control rooms and film or sound studios.

Control panel (S6X & S7A Mk2)

Numerous controls on the front panel introduce a new degree of control for main monitors. Along with the input gain, there are level controls for each of the four drivers, shelving filters on both ends of the frequency spectrum, and three full parametric EQs (20-200Hz) that can be used to combat standing waves in the control room. The EQ can be bypassed individually or as a group so that their overall effect can be analyzed in direct comparison to the unaffected signal.

In large film score mixing rooms, it may be desirable to have a representation of the sound in the theatres. To meet the ISO 2969 Standard, the Dolby™ X-curve has to be applied.

Using pink noise, the X-curve engages a 3 dB per octave roll-off above 2 kHz. Both the S6X and S7A Mk2 have a switch that activates this filter, eliminating the need for external processing during the film mix.

A second switchable input on the front allows servicing without moving the unit.

All LED indicators can be dimmed if necessary.