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The Behringer XENYX Q1204USB Analog Mixer provides you with all the tools necessary to achieve an outstanding performance. Whether you're on stage or recording at home Behringer have you covered.
The XENYX Q1204USB features ten inputs, including four high quality XENYX preamps. These will provide you with an exceptional low noise floor and excellent levels of headroom. Sculpt your sound with the three band EQ, modelled on the sonic characteristics of iconic British recording consoles. You'll be rewarded with the richest of lows and warmest of highs. The Q1204USB will be an invaluable tool to add to your arsenal.
Full Description
Sublimely musical, British EQ
British mixing consoles have long been known for their analog warmth and overall quality recordings. Based on these vintage mixing consoles, Behringer have incorporated the same style circuitry on the channel EQ. This results in incredibly warm and detailed audio, delivering rich sonic qualities associated with the old British mixing consoles.
Sonically superior preamps
The XENYX mic preamps incorporated in the Behringer Q1204USB mixer are renowned for their sonic performance, high quality and outstanding clarity. Offering an impressive 130 dB of dynamic range and a bandwidth that ranges from below 10 Hz to above 200 kHz, the XENYX preamps deliver high level outputs with a focus on clarity and power. The XENYX preamps are ideal for studio recording and live purposes, giving you an array of recording possibilities while maintaining the rich sonic qualities required for professional audio.
Recording bliss
There was a time when the recording process called for lots and lots of expensive gear, which meant the average musician had to buy time at a recording studio - and that time was pricey indeed. But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. How do you get all that music flying around your brain into your computer? That's where XENYX USB mixers come in. Thanks to the built-in, bi-directional stereo USB audio interface, you can connect the Behringer Q1204USB mixer directly to your PC or Mac computer via a single USB cable. Now any signal source you connect to the mixer can be recorded directly to your hard drive.
One-knob compression
The ''one-knob'' compression function is available on all mono channels and allows you to dial in the perfect amount of compression for both instruments and vocals. Delivering powerful mixes with punch and clarity, the ''one-knob'' compression is easy to operate and a rare feature for mixers within this price range.
Create an affordable microphone syste
Another unique and innovative feature of the Q1204USB is the wireless-ready design. This allows you to easily connect the mixer to Behringer's digital wireless microphones (not included). The USB connector on the top of the mixing console is designed to accommodate the 2.4GHz wireless receiver dongle that comes supplied with Behringer's wireless microphone sets.
Eliminate the need for excess cables. Simply purchase the ULM300USB or ULM202USB and create the perfect single or dual wireless handheld microphone system for an affordable price.
Features
- Premium ultra-low noise, high headroom analog mixer
- 4 state-of-the-art, phantom-powered XENYX mic preamps comparable to stand-alone boutique preamps
- 4 studio-grade compressors with intuitive ''one-knob'' functionality and control LED for professional vocal and instrumental sound
- ''Wireless ready'' for use with Behringer's digital wireless system (not included)
- Built-in stereo USB/Audio Interface to connect directly to your computer
- Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins and ultra-low latency driver downloadable at www.behringer.com
- Neo-classic ''British'' 3-band EQs for warm and musical sound
- 2 aux sends per channel: 1 pre fader for monitoring applications and 1 post fader for external FX devices
- Clip LEDs and mute/alt 3-4 function on all channels
- 2 subgroups with separate outputs for added routing flexibility
- 2 multi-functional stereo aux returns with flexible routing
- Balanced main mix outputs with gold-plated XLR connectors plus separate control room, headphones and 2-track outputs
- Control room/phones output with multi-input source matrix
- Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
- ''Planet Earth'' switching power supply for maximum flexibility (100-240V ), noise-free audio, superior transient response plus low power consumption for energy saving
- Designed and engineered in Germany
Specifications
- Power Consumption: 40W
- Mains Connection: Standard IEC
- Power Voltage: 100V 240V, 50Hz/60Hz
- Dimensions: 10.4'' x 13'' x 3.5'' / 265mm x 330mm x 90mm (W x D x H)
- Weight: 6.2lbs / 2.8kg
- Mono Inputs:
- Connector: XLR, Balanced, Discrete Input Circuit
- Preamps: XENYX Mic Preamps
- Frequency Response(-3dB):
- Frequency Response(-3dB): Gain Range: +10dB to +60dB
- Maximum Input Level: +12dBu @ +10dB Gain
- Impedance: 2k Ohms
- Signal-to-Noise Ratio: 108dB / 110dB A-Weighted (0dBu In @ +22dB Gain)
- Phantom Power: +48V, Switchable
- Line Inputs:
- Connector: 1/4'' TRS, Balanced
- Impedance: 20k Ohms Balanced / 10k Ohms Unbalanced
- Gain Range: -10dB to +40dB
- Maximum Input Level: 30dBu
- Stereo Inputs:
- Connectors: 1/4'' TRS, Balanced
- Impedance: 20k Ohms Balanced / 10k Ohms Unbalanced
- Gain Range: -20dBu to +20dBu
- Maximum Input Level: +22dBu
- 2-Track Input:
- Connector: RCA
- Impedance: 10k Ohms
- Maximum Input Level: +22dBu
- 3-Band EQ
- Low: 80Hz / ±15dB
- Mid: 2.5kHz / ±15dB
- High: 12kHz / ±15dB
- Aux Sends:
- Connector: 1/4'' TRS, Balanced
- Impedance: 120 Ohms
- Maximum Output Level: +22dBu
- Aux Returns:
- Connector: 1/4'' TRS, Balanced
- Impedance: 20k Ohms Balanced / 10k Ohms Unbalanced
- Maximum Input Level: +22dBu
- Main Outputs:
- Connector: XLR, Balanced
- Impedance: 240 Ohms Balanced / 120 Ohms Unbalanced
- Maximum Output Level: +28dBu
- Control Room Output:
- Connector: 1/4'' TRS, Balanced
- Impedance: 120 Ohms
- Maximum Output Level: +22dBu
- Phones Output:
- Connector: 1/4'' TRS, Unbalanced
- Impedance: 25 Ohms
- Maximum Output Level: +21dBu / 150 Ohms (+25dBm)
- 2-Track Output:
- Connector: RCA
- Impedance: 1k Ohms
- Maximum Output Level: +22dBu
- USB:
- Connector: Type B
- Audio: Stereo In/Out
- Converter: 16-Bit
- Sample Rate: 48kHz
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Soundcraft FX16ii - rebirth of a classic
The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.
The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.
Soundcraft FX16ii main features include:
- 26 inputs
- 16 mono microphone channels
- 4 stereo returns
- 4-bus architecture, with sub-group routable to mix
- Built-in 24 bit Lexicon digital effects processor
- 32 FX settings
- Tap Tempo
- 3 FX parameter adjust rotaries
- User FX settings store function
- Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
- Inserts on all mono channels
- Inserts on stereo mix output
- Classic Soundcraft 3-band EQ with swept mid-band
- Stereo 18dB/octave 100Hz high-pass filter
- Dual global +48V phantom power split channels 1-8 and 9-16
- Channel Mute control
- 10-segment tri-coloured metering
- Two sub-group outputs
- Separate mono sum output
- Integral universal power supply
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Expand Your MCU with More Faders !
The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.
The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.
Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.
The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!
Features:
Eight-Fader Control Surface Extension for MCU Pro
Proprietary Mackie communication protocol for seamless software integration by DAW makers
100mm touch-sensitive optical Penny + Giles motorized faders
Multi-function V-Pots for fast control of panning, effects levels and more
Channel mute, solo, pan, send level and record arm functions
Full meter display with track names and parameters |
MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units. | Soundcraft EFX
(EFX8, EFX12)
The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.
The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.
The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone
Key Features:
- 8+2 channel frame sizes
- Built-in 24 bit Lexicon digital effects processor
- 32 FX settings
- Tap Tempo and FX setting store function
- 1 FX send on each channel
- 1 configurable auxiliary bus
- XLR-type and ¼” metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 3-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations. |
Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 40 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 37kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a. |
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