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Signal Splitter 2 Inputs 8 Outputs 2 Audio signals to 4 separate zones or a single signal up to 8 possible XLR line inputs Level control and 5 segment
- 2 Inputs
- 8 Outputs
- 2 Audio signals to 4 separate zones or a single signal up to 8 possible
- XLR line inputs
- Level control and 5 segment LEDs per output
DS2800
When it comes to providing signal distribution in commercial sound applications, the DS2800 Professional 2-Input 8-Output Distribution Splitter is the leader in its class. Extremely flexible and easy to use, the DS2800 features two modes of operation that allow you to send either 2 audio signals to 4 separate zones, or a single signal to up to 8. This level of versatility makes the DS2800 the ideal choice for a wide range of applications including everything from recording studios to shops, restaurants and more.
Dual Mode Operation
In the recording studio, monitoring options are crucial for the performers as well as the engineers, so DS2800’s 2-In / 4 Out mode makes it easy to switch between various loudspeaker and headphone systems. For applications such as restaurants and the like, running separate zones lets you set individual volume levels to better suit the needs of your clientele. The Mode selection switch is located on the rear panel and LED indicators on the front let you know which mode has been selected.
Ultra-Low Noise
DS2800’s XLR line Inputs feature state-of-the-industry, ultra-low noise op-amps for the ultimate in pristine sonic performance. In addition to the inputs, Link Output XLR sockets are provided for cascading additional DS2800 devices, so your system can grow as needs change. All XLR Input and Output connectors are gold plated for the highest signal integrity.
8 Outputs
Each of the 8 Outputs on the DS2800 comes with its own Level control and 5-segment LED meter, so you can see if there is signal present and instantly set the ideal volume for each zone without the slightest hint of distortion. The DS2800 makes it easy to keep track of what is going on throughout you system at a glance.
Sound Value
or distributed audio applications where absolute control is required, the DS2800 Professional 2-Input 8-Output Distribution Splitter has everything covered – and does it better and more affordably than any competing product in its class.
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- With improved 192 kHz sample rate for the best sound reproduction.
- Supports uncompressed 2-channel LPCM (Linear Pulse Code Modulation) audio signals.
- Supports compressed 2-channel and multi-channel Dolby Digital and DTS audio signals.
- Ideal for presentation or distribution to another room.
- The optical (Toslink) digital audio splitter can split a single optical digital input to four outputs without delay or loss of quality.
- Supports the S/PDIF and Toslink standard.
Your TV has 1 Toslink output, but you use 4 amplifiers. This requires the Toslink cable to be split from 1 into 4. An additional amplifier could be, for example, a surround set, a sound bar of an amplifier in the kitchen
Connections
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| Audio input |
1 x Toslink (optical) |
| Audio output |
4 x Toslink (optical) |
Audio
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| Supported audio |
PCM2, Dolby Digital 5.1 and DTS |
| Sample rate |
32 kHz to 192 kHz |
General
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| Dimensions (h x w x d) |
24 x 46 x 46 mm |
| Weight |
22 grams |
| Ambient temperature |
+0 to +40 °C |
| Humidity |
10% to 85% |
| Power |
100-240 VAC 50/60 Hz, 5 VDC adapter |
| Product Features:
16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
KLARK TEKNIK AES50
KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners
| The PRMMS8 is an ultra low noise 8-channel microphone splitter providing a direct output and a transformer isolated output for each balanced XLR input. For extra flexibility, four front panel switches enable channel linking which permits routing a single input signal to multiple outputs feeding FOH, monitor, recording and broadcast mixing consoles, or merging two input signals into a single output. For use with condenser microphones, the direct outputs serve as a path for phantom power. Each channel includes a ground lift switch to eliminate hum and interference caused by ground loops between electronic equipment connected to the PRMMS8.332.
Number of split-outputs per canal
1
Transformer isolated outputs
Yes
Cabinet material
sheet steel
Cabinet surface
Powder coated
Guarantee : 60 Months |
The Central Station is the ultimate studio-monitoring interface for the modern digital studio. The Central Station features three sets of stereo analog inputs to switch between input sources such as: DAW, mixer, CD/DAT/Tapeplayer, or keyboards/samplers. Two stereo analog inputs feature TRS balanced and the third stereo input features RCA inputs with trim control for level matching of input signals. In addition, the Central Station will accommodate two digital inputs via S/PDIF or TOSLINK providing D/A conversion up to 24Bit/192kHz. This allows you to monitor DAW and CD/DAT outputs through the same professional quality converter for the most accurate A/B comparison and highest quality monitoring environment. The digital to analog converter offers the highest possible audio quality with over 117dB dynamic range and ultra high quality analog circuitry. The Central Station features three sets of monitor outputs, each with their own set of passive trim controls. The monitoring section also provides MUTE, DIM and MONO switches. In addition, the Central Station includes a set of CUE outputs that can feed headphone amplifiers and a separate stereo MAIN line level output.
Technical Specifications
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Audio Inputs
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TRS1&2
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Type
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¼” TRS Passive-Balanced
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Input Impedance
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2K-5K Ohm (Speaker load and Trim level dependent)
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S/N Ratio
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Greater than 140dB
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THD+N
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Less than .0005% (1KHz @ 0dBu)
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Frequency Response
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Greater than 1MHz
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AUX
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Type
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RCA Active-Unbalanced
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Input Impedance
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8Kohm
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S/N Ratio
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Greater than 115dB (1KHz @ 0dBu, Unity gain)
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THD+N
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Less than .002% (1KHz @ 0dBu, Unity gain)
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Frequency Response
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10Hz-50KHz, -.5dB
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Gain Range
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-90dB to +20dB
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S/PDIF
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Types
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RCA 75Ohm-coax and Toslink optical
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Dynamic Range
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117dB
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THD+N
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0.0025% (1KHz @ -1dBfs)
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Maximum output
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+18dBu (Active-Balanced)
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Sample Rates
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44.1K, 48K, 88.2K, 96K, 176.4K, 192K
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Audio Outputs
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Speakers
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Type
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¼” TRS Passive-Balanced
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Type-Mono Activated
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¼” TRS Active-Impedance Balanced
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Trim Range
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-90dB to 0dB
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Main Level Range
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-90dB to 0dB
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Dim Attenuation
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-30dB
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Main
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Type
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¼” TRS Active-Balanced
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Output Impedance
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51Ohm
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THD+N
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Less than 0.0025%
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Frequency Response
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10Hz-50KHz, -.5dB
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Cue
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Type
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¼” TRS Active-Impedance Balanced
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Output Impedance
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51Ohm
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THD+N
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Less than .003% (1KHz @ 0dBu)
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Frequency Response
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10Hz-50KHz, -.5dB
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Gain Range
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-90dB to 0dB
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Dim Attenuation
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-30dB (Talkback activated)
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Headphones
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Type
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¼” TRS Active Stereo
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Maximum Output
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150mW/channel @ 60 Ohm load
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THD+N
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0.015% (150mW/channel @ 60 Ohm load)
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Frequency Response
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10Hz-50KHz, +1dB
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Physical
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Main Chassis
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Package Type
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1U - steel chassis
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Dimensions
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19(W) X 1.75(H) X 5.50(D) inches
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Weight
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5.0lbs
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External Power Supply
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Package Type
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Molded Plastic
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Dimensions
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2.5(W) X 2.3(H) X 4.0(D) inches
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Weight
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2.5lbs
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| Practical distributor with 1 input and 6 outputs
- Extends every mixer with additional outputs
- 1 stereo XLR input
- 6 stereo zone outputs (XLR)
- Each zone with level control and mono switch
- LED display of signal input and mono/stereo mode
- (19") 48.3 cm rack installation 1 U
- For application areas such as: Installation; restaurants, bars and hotels; sports centres/gyms
Package contents
- 1 x device, 1 x power cord, 1 x user manual
| Power supply: |
115/230 V AC, 50/60 Hz |
| Power consumption: |
7 W |
| Power connection: |
Mains input via IEC connector (M) mounting version power supply cord with safety plug (provided) |
| S/N ratio: |
>69 dB |
| THD: |
<0,2 % at 1 kHz |
| Impedance: |
Input: 45,1 kOhm
Output: 125 Ohm |
| Gain: |
15 dB |
| Max. level: |
Input: +9 dBV
Output: +22 dB |
| Color: |
Black |
| Housing design: |
(19") 48.3 cm rack installation 1 U |
| Dimensions: |
Width: 48,3 cm
Depth: 12,6 cm
Height: 4,45 cm |
| Weight: |
2,33 kg |
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