High-Resolution, Active 2-Way Reference Studio Monitor with 5.25″ Kevlar Woofer Ultra-linear studio monitor with true active design Precision Class A/B amplifiers with active protection circuits: 50 W for LF / 25 W for HF Ultra-high resolution, ferrofluid-cooled 1″ dome tweeter for ultimate sound reproduction Long-throw 5.25″ woofer with deformation-resistant Kevlar cone for ultimate bass response […]
High-Resolution, Active 2-Way Reference Studio Monitor with 5.25″ Kevlar Woofer
Ultra-linear studio monitor with true active design
Precision Class A/B amplifiers with active protection circuits: 50 W for LF / 25 W for HF
Ultra-high resolution, ferrofluid-cooled 1″ dome tweeter for ultimate sound reproduction
Long-throw 5.25″ woofer with deformation-resistant Kevlar cone for ultimate bass response
Ultimate dispersion characteristics and extremely large “sweet spot” owing to advanced wave guide technology
High-precision crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions
Separately controlled limiter for low and high frequency overload protection
Magnetic shielding allows placement near computer monitors
“Planet Earth” power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Servo-balanced inputs with XLR, 1/4″ and unbalanced RCA connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Weight
7.00 kg
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Perfect for Home Studios and Multimedia Applications
2-Way Studio Monitors with 2 x 8 Watts Power Output
Dedicated Volume, Mic Level, Bass and Treble Controls
Powerful 4'' Woofers and High-Resolution 1.5'' Tweeters
1/8'' TRS Stereo and RCA Stereo Input Connectors
Content
High-Resolution, Active 2-Way Reference Studio Monitor with 5.25" Kevlar Woofer
Ultra-linear studio monitor with true active design
Precision Class A/B amplifiers with active protection circuits: 50 W for LF / 25 W for HF
Ultra-high resolution, ferrofluid-cooled 1" dome tweeter for ultimate sound reproduction
Long-throw 5.25" woofer with deformation-resistant Kevlar cone for ultimate bass response
Ultimate dispersion characteristics and extremely large "sweet spot" owing to advanced wave guide technology
High-precision crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions
Separately controlled limiter for low and high frequency overload protection
Magnetic shielding allows placement near computer monitors
“Planet Earth" power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
Servo-balanced inputs with XLR, 1/4" and unbalanced RCA connectors
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
PRICE PER UNIT
S2X
The S2X brings together the virtues of the ʽclassicalʼ 7” woofer and tweeter combination by using ADAM innovative technologies and top-class materials.
The HexaCone 7” woofer is driven by a sophisticated magnet system with a 2” voice coil creating a greater linear excursion. This produces more dynamics than one would assume in a monitor of such small proportions. As a result, in addition to the unsurpassed audio quality of the X-ART and A/B amplifier combination, this monitor surprises the listener with a very powerful, deep, but always tight and precise low end.
Review at a glance: "Sonic sensation“
“The ADAM Audio S2X can convince in all areas, concerning the sound as well as the workmanship, and are worth every Euro. […] a no-compromise tool for all who mean serious business, whether in music or postproductions.” (www.96kHz.de, 03/2010)
“We started off with a classical string quartet recording and let´s just say right away that the S2Xs floored us. Several adjectives spring to mind [...] - wide open, transparent, effortless, breathtaking realistic, loud, dynamic, involving... [...] If you close your eyes and continue listening, the S2Xs seem to ‚disappearʽ almost entirely. [...] you gradually become less aware that you´re listening to speakers because they´re like an open window on the music itself. [...] Result: These monitors are up there with the best we´ve tried so far.” (MusicTech, 01/2010)
Woofer
Number
1
Basket Ø
7.5" (186 mm)
Voice coil Ø
2" (50 mm)
Cone material
HexaCone
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Woofer
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Tweeter
1
Type
A/B
Amp. power RMS / music
50 W / 100 W
Control panel
Input Sensitivity (coarse)
-20 to +8 dB (4 dB steps)
Input Sensitivity (fine)
-1.5 to +2 dB (0.5 dB steps)
EQ 80 Hz
0 to +6 dB (1 dB steps)
High Shelf EQ > 6 kHz
±4 dB (1 dB steps)
Low Shelf EQ
±4 dB (1 dB steps)
Tweeter gain
±2 dB (0.5 dB steps)
Input connectors
Analog
XLR
Digital (optional)
AES/EBU / SPDIF / word clock
General data
Panel
Front
Frequency response
35 Hz - 50 kHz
THD > 80 Hz
≤0.8 %
Long term output
≥110 dB
Max. peak
≥120 dB
Crossover frequencies
2200 Hz
Input impedance
10 KOhm
Weight
23.8 lb (10,8 kg)
Magnetically shielded
Optional
Height x Width x Depth
14.5" (370 mm) x 8.5" (220 mm) x 12.5" (320 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
PRICE PER UNIT
ΤΙΜΗ ΤΕΜΑΧΙΟΥ
Main Monitors: S6X & S7A Mk2
The main monitors S6X and S7A Mk2 are designed for large control rooms and film studios. They present a completely new, impressive
concept: to transport the unique realism of the ADAM monitors at a very high SPL level. In accordance with ADAMʼs main goal to achieve the best possible authenticity in music reproduction, any overemphasis of the bass frequencies should be avoided. Furthermore, it is essential for neutral sound characteristics at high volumes to achieve a wide dispersion in the horizontal plane and a somewhat narrower dispersion in the vertical plane, thus reducing reflections from the ceiling, the floor or a mixing console. Less reflection means superior imaging and better localization, facilitating the best possible transportability of mixes across the widest range of playback systems.
Advanced DʽAppolito-array
The arrangement of the seven discrete drivers facilitates a gradual transition of the chassis dimensions. One of the most important aspects of these monitorʼs new approach is the horizontal symmetry of the drivers, which could be referred to as advanced D´Appolito array. If the drivers are filtered properly there are – besides the dispersion characteristics mentioned previously – two more advantageous results:
There is an absence of any sudden change in directivity with frequency, leading to harmonic dispersion behavior throughout the audio band. The absence of sudden changes in directivity is not visible in a frequency plot, but clearly audible - especially with a full range of materials, from single complex sources such as the human voice to the wide sonic palette of large orchestras.
The dynamic capabilities of the monitor are distributed over the audio band more equally, and louder recording or mixdown sessions with SPL´s of 120dB are handled without offending the ear.
Impulse Coupling
In order to get a precise and undistorted reproduction, all drive units are mounted on an ultra stiff Aluminum honeycomb plate (=IC).
Amplifiers
Both the S6X and the S7A Mk2 ADAM use the new generation of switching amps and power supplies (=PWM).
These are combined in an extremely powerful (1000 and 1500W rms respectively) yet cool amplifier assembly. Together with the built in overload protection circuits these amplifiers will run reliably and at constant safe operating temperatures not possible with conventional designs.
The amplifiers are of extremely low output impedance, leading to a damping factor >4.000, enabling them to strictly control the motion of the drive units.
The S6X: accuracy and power
The S6X is one of the most ambitious studio monitors available today. They can be found in some of the highest profile studios in the industry, from elite private studios to world class jazz, from rock and orchestral tracking and mixing facilities to high powered hip hop production rooms. The concept of the horizontal symmetry of the drivers is greatly affected by the generous proportions of the larger diaphragms, resulting in both exceptionally flat frequency response and extremely realistic dynamic reproduction across the entire audio spectrum. Numerous controls at the front panel allow detailed adaptations to different acoustic environments.
This main monitor offers very high accuracy and power in sheer abundance. SPL peaks beyond 120 dB are produced without any compression or harshness. The S6X is a top shelf choice for larger control rooms and film or sound studios.
Control panel (S6X & S7A Mk2)
Numerous controls on the front panel introduce a new degree of control for main monitors. Along with the input gain, there are level controls for each of the four drivers, shelving filters on both ends of the frequency spectrum, and three full parametric EQs (20-200Hz) that can be used to combat standing waves in the control room. The EQ can be bypassed individually or as a group so that their overall effect can be analyzed in direct comparison to the unaffected signal.
In large film score mixing rooms, it may be desirable to have a representation of the sound in the theatres. To meet the ISO 2969 Standard, the Dolby™ X-curve has to be applied.
Using pink noise, the X-curve engages a 3 dB per octave roll-off above 2 kHz. Both the S6X and S7A Mk2 have a switch that activates this filter, eliminating the need for external processing during the film mix.
A second switchable input on the front allows servicing without moving the unit.
All LED indicators can be dimmed if necessary.
Subwoofer
Number
2
Basket Ø
12" (305 mm)
Voice coil Ø
3" (75 mm)
Cone material
HexaCone
Woofer
Number
2
Basket Ø
7.5" (186 mm)
Voice coil Ø
2" (50 mm)
Cone material
HexaCone
Midrange
Number
2
Type
X-ART
Diaphragm area
26 inch² (16800 mm²)
Equiv. Diaphragm Ø
5.5" (146 mm)
Velocity transform ratio
3.5:1
Diaphragm weight
0.7 g
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Subwoofer
2
Type
PWM
Amp. power RMS / music
500 W / 700 W
Woofer
2
Type
PWM
Amp. power RMS / music
250 W / 350 W
Midrange
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Tweeter
1
Type
PWM
Amp. power RMS / music
250 W / 350 W
Control panel
Input Sensitivity
±10 dB
EQ 80 Hz (Quality / Hz / Level)
3 x 0.2 - 20 / 20 - 200 / ±12 dB
High Shelf EQ > 6 kHz
±6 dB
Low Shelf EQ
±6 dB
Sub Gain
±4 dB
Mid-Woofer Level
±2 dB
Mid level
±2 dB
Tweeter gain
±4 dB
Input connectors
Analog
XLR
General data
Panel
Front
X-Curve-Filter
yes
Frequency response
23 Hz - 50 kHz
THD 90dB/1m > 100 Hz
≤0.5 %
Long term output
≥123 dB
Max. peak
≥133 dB
Crossover frequencies
85 / 800 / 3100 Hz
Input impedance
10 KOhm
Weight
213.8 lb (97 kg)
Height x Width x Depth
28.5" (720 mm) x 37" (940 mm) x 19.5" (490 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
Audio monitoring precision is lifted to an entirely new level of accuracy with the introduction of the 8250A bi-amplified DSP monitoring system. Boasting performance comparable to much larger systems, the compact and powerful 8250A package is ideal in applications where a wide frequency response is needed but space is limited.
The 8250A is the ideal monitoring tool for recording studios, post-production houses, broadcast installations, digital edit suites, home studios and mobile production vehicles.
The 8250A builds on the rock-solid technology of the highly-acclaimed 8050A, featuring an ingenious, flow optimized, reflex port that provides solid, clear and articulated low frequencies without compression, distortion or port noises.
110 dB
38 Hz - 20 kHz (± 1 dB)
35 Hz - 21 kHz (-3 dB)
1.8 kHz
Bass 8" + Treble 1“
metal dome + DCWTM
Bass 150 W + Treble 120 W
H x W x D 452 x 286 x 278 mm
with Iso-PodTM
14.6 Kg (32 lb)
1 x XLR digital in
1 x XLR analog in
1 x XLR digital thru
Behringer MS-16 2x8W 2-Way Active Personal Monitor System
The Behringer MS16 Studio Monitors feature an active 2-way design with powerful 4'' woofers and 1.5'' tweeters, powered by two 8 watt amplifiers. Offering two line inputs and a microphone input, the Behringer MS16 monitors are perfect for both home studios and general multimedia applications.
Full Description
Compact and Ideal For Home Studio
The Behringer MS16 Studio Monitors, Pair are the ideal studio monitor for your home studio project. Whether that be mixing, producing, or even listening the MS16 Studio Monitors turn your computer into a personal home studio. Its powerful 4" woofers provide thumping bass, whilst the high resolution tweeters provide clean high frequencies. Also featured are dedicated volume, bass and treble controls for extra flexibility. They also make excellent add-on speakers for electronic keyboards and playing a live performance.
Input Connections
The MS16 Studio Monitors feature multiple input options featuring a 1/8" stereo input for connecting up CD, MD and MP3 players. The dual RCA jacks allow for stereo keyboard modules and tape decks. Furthermore there is a 1/4" inch to allow connections for a dynamic microphone or electric guitar enabling you to sign or play along with prerecorded tracks.
Features
Compact stereo speaker system ideally suited for home studios, multimedia applications, keyboard and vocal monitoring, etc.
Powerful 4'' woofers and high-resolution tweeters powered by two 8 watt amplifiers
Dedicated Volume, Bass and Treble controls for more flexibility
Stereo RCA inputs for sound cards, keyboards, etc. that can be used simultaneously with a second stereo source (e. g. CD/MD player) through 1/8'' TRS stereo input
Separately adjustable 1/4'' TRS microphone input mixable with stereo inputs for playback and vocal monitoring applications
1/8'' TRS headphone connector with auto-mute loudspeaker function
Magnetically shielded for placement near computer monitors
Designed and engineered in Germany
Specifications
Woofer: 4''
Tweeter: 1.5''
Output Power: 2 x 8 Watts
Frequency Response: 80Hz - 20kHz
Speaker Impedance: 4?
Input 1:
Connector: 1/8'' TRS Stereo
Input Level: -10dBm, 10k?
Input 2:
Connector: RCA Stereo
Input Level: -10dBm, 10k?
Mic Input:
Connector: 1/4'' TRS
Input Level: -50dBm, 50?
Dimensions: 9.5'' x 5.5'' x 6'' / 241mm x 140mm x 150mm (H x W x D)
Weight: 4kg
M-Audio BX8 D3 Features:
150W active studio monitor with 8" military-grade Kevlar low-frequency driver and 1.25" silk dome tweeter
Bi-amplified design delivers a sound that's both powerful and precise
Custom waveguide ensures accurate dispersion for an incredibly tight soundstage
Optimized rear-mounted port produces defined low-end response with bass extension down to 37Hz
Acoustic Space Control tailors your monitor to your mix space
Volume control for dialing in the perfect playback level
Balanced combo input allows for flexible installation
Front-panel LED shines brightly when the speaker is positioned at an ideal angle
M Audio BX8 D3 8 Inch Powered Studio Monitor Specifications
Frequency Range: 37Hz – 22kHz
Crossover: 2.0kHz
Maximum Peak Input Level: -2dBU
Input Types: Balanced 20kO XLR, and TRS
Unbalanced: 10kO TS
Input Sensitivity: -12dBU
HF Driver Size: 31.8 mm (1.25“)
LF Driver Size: 203 mm (8“)
Amplifier Power: 150W Class A/B
HF Driver Power Amp: 70W
LF Driver Power Amp: 80W
Port: Rear internally flared
Controls: Yes
Magnetic Shielding: Yes
AC Input Voltage: 100–120V, 50/60 Hz 220–240V, 50/60 Hz
Enclosure Construction: MDF
Enclosure Finish: Black PVC
Baffle Construction: Injection-molded ABS
Baffle Finish: Matte black with Soft-touch
Dimensions (HxWxD): 384 mm x 250mm x 302mm (15.1” x 9.8” x 11.9”)
Weight: 10.5 kgs (23.1 lbs)
Display Carton (HxWxD): 398mm x 345mm x 482mm (15.6” x 13.5” x 18.9”)
Shipping Carton (HxWxD): 412mm x 359mm x 502mm (16.2” x 14” x 19.68”)
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