ADAM AUDIO S2V Active Two-Way 7″ Nearfield Studio Monitor 350W

Features of the HR824mk2 Studio Reference Monitor:

- High-resolution Active studio reference monitor
- Ultra-linear frequency response for accurate mix translation
- 8.75 in. high-precision, low-distortion LF transducer
- 1 in. titanium dome, ferrofluid cooled tweeter
- Optimized Waveguide for wide, even sweet zone
- Twin FR Series amps -- 150W for LF / 100W for HF
- Cast aluminum Zero Edge Baffle minimizes diffraction
- Full internal damping eliminates midrange artifacts
- Onboard passive radiator extends bass response to 35Hz
- Acoustic Space, LF roll-off, and HF controls
- Balanced XLR, TRS, and unbalanced RCA inputs
- OmniMount ready for easy wall/ceiling placement
- THX pm3 certified for surround sound applications
- Perfect for High Definition audio, cinema and gaming systems

DM-2100: 2.1-ch Speaker System Features The DM-2100 2.1-ch Speaker System is an affordable way to add accurate reference monitoring with a subwoofer for enhanced bass response. The left and right speakers each offer 15 watts of power, while the 50-watt subwoofer provides a powerful low-end boost. And with 24-bit/96kHz digital inputs, the DM-2100 is perfect for use with Roland/BOSS digital studios and instruments, or with computer systems and more.

• Affordable 2.1-channel monitoring system with 24-bit/96kHz digital inputs
• Powered bass reflex speakers with 15 watts per side and flat frequency response
• Active subwoofer with 50-watt amplifier for increased low end
• Front-mounted controls convenient located on right speaker
• Coaxial and optical digital inputs, plus analog inputs (RCA and 1/4-inch type)
• Sleek black wooden cabinets with magnetic shielding

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The S4X models

The S4X monitors are not just an improved versions of the famous and highly acclaimed S4A but an evolutionary development. Like their predecessors, they have been designed for medium size control rooms. Given their excessive power, the S4X are also capable of working in larger environments. Because both S4X models have identical tweeters and midrange drivers handling frequencies above 350Hz, any combination of either model will integrate perfectly in a 5.1 or 7.1 installation.

X-ART & newly developed broadband amplifier

All models of the SX-Series are equipped with the new X-ART tweeter. The X-ART tweeter has a 4dB higher efficiency, a 3dB higher maximum sound pressure level, and an increase in frequency response up to 50kHz. The newly designed broadband A/B amplifier has been developed by ADAM to perfectly match the needs and capabilities of the X-ART tweeter. The entire range of sound can be heard as never before.

New HexaCone woofers

The new HexaCone woofers are designed with larger and longer voice coils that deliver more linear excursion for higher SPL max. values. A stronger magnetic structure is added as well for an optimum in efficiency and accuracy.

Optional digital input and magnetical shielding

All SX-models (except the S1X) can be optionally retrofitted with a 24 bit/192 kHz D/A Converter featuring an AES/EBU (XLR) and a SPDIF (RCA) inputs as well as a R/L/Mono switch.

All models can optionally be magnetically shielded.

S4X-V

The S4X-V has been designed for vertical installation. This reference monitor features the same X-ART and 6” HexaCone midrange as the S4X-H allowing for almost identical tonal characteristics of both speakers. This allows combinations of the different versions in bigger multi-channel applications without tonal imbalance.

Furthermore, the S4X-V features a newly developed 12” HexaCone woofer. This driver, with electronic correction, has been designed for optimal results in a bass-reflex cabinet. An exceptionally long 3” voice coil coupled with a very strong and highly effective magnet system provides for powerful, yet never overemphasized bass reproduction.

Improperly designed larger monitors are always at risk of compromising the overall sound with bass reproduction that is too intense. As in all ADAM Audio designed speakers, both versions of the S4X have been designed to combine both the power and volume of the bass (28Hz at -3dB point) with the highest possible precision. Combine this with the transparent high and midrange frequencies of the S4X and this will give an engineer a new quality level of control and performance for larger rooms.

The frontpanel

ADAM has developed an innovative front panel with sophisticated controls. These controls allow the user to adapt the speakers to the soundroom with high precision.

Apart from the standby-button, there are two controls for the input sensitivity, two for the bass section and two more for the high frequencies.

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S3X-V

Using the newly developed 4” HexaCone midrange and 9” HexaCone woofer combined together with the X-ART tweeter creates the unique S3X-V control monitor.

A step up over the smaller models, the S3X-V is capable of producing more power and volume along with a more detailed and homogeneous sound that will impress even the most experienced sound engineer. Whether the complex sonic images of an orchestra or the smooth tone of a jazz trio, the S3X-V reveals even the finest nuances of any material. The driver assembly of the S3X-V allows long time, non-fatiguing listening sessions.

Reviews: "Wonderfully detailed...”

“Wonderfully detailed, with an exceptionally transparent mid-range. [...] ADAM make the leap to a three-way speaker design that seems to pay dividends in clarity and separation. [...] I think it would be fair to say theyʽre the best sounding ADAM monitors Iʽve reviewed.” (Sound On Sound, 12/2009)

“No doubt, the S3X-V deserve the title Reference Monitor. With this series, ADAM Audio proves to have a very good feeling for meeting the specific demands of the sound engineerʽs guild, creating studio standards at the same time. [...] A precision tool combined with a luxury good.” (www.96kHz.de, 03/2010)

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Main Monitors: S6X & S7A Mk2

The main monitors S6X and S7A Mk2 are designed for large control rooms and film studios. They present a completely new, impressive
concept: to transport the unique realism of the ADAM monitors at a very high SPL level. In accordance with ADAMʼs main goal to achieve the best possible authenticity in music reproduction, any overemphasis of the bass frequencies should be avoided. Furthermore, it is essential for neutral sound characteristics at high volumes to achieve a wide dispersion in the horizontal plane and a somewhat narrower dispersion in the vertical plane, thus reducing reflections from the ceiling, the floor or a mixing console. Less reflection means superior imaging and better localization, facilitating the best possible transportability of mixes across the widest range of playback systems.

Advanced DʽAppolito-array

The arrangement of the seven discrete drivers facilitates a gradual transition of the chassis dimensions. One of the most important aspects of these monitorʼs new approach is the horizontal symmetry of the drivers, which could be referred to as advanced D´Appolito array. If the drivers are filtered properly there are – besides the dispersion characteristics mentioned previously – two more advantageous results:

• There is an absence of any sudden change in directivity with frequency, leading to harmonic dispersion behavior throughout the audio band. The absence of sudden changes in directivity is not visible in a frequency plot, but clearly audible - especially with a full range of materials, from single complex sources such as the human voice to the wide sonic palette of large orchestras.
• The dynamic capabilities of the monitor are distributed over the audio band more equally, and louder recording or mixdown sessions with SPL´s of 120dB are handled without offending the ear.

Impulse Coupling

In order to get a precise and undistorted reproduction, all drive units are mounted on an ultra stiff Aluminum honeycomb plate (=IC).

Amplifiers

Both the S6X and the S7A Mk2 ADAM use the new generation of switching amps and power supplies (=PWM).

These are combined in an extremely powerful (1000 and 1500W rms respectively) yet cool amplifier assembly. Together with the built in overload protection circuits these amplifiers will run reliably and at constant safe operating temperatures not possible with conventional designs.

The amplifiers are of extremely low output impedance, leading to a damping factor >4.000, enabling them to strictly control the motion of the drive units.

The S6X: accuracy and power

The S6X is one of the most ambitious studio monitors available today. They can be found in some of the highest profile studios in the industry, from elite private studios to world class jazz, from rock and orchestral tracking and mixing facilities to high powered hip hop production rooms. The concept of the horizontal symmetry of the drivers is greatly affected by the generous proportions of the larger diaphragms, resulting in both exceptionally flat frequency response and extremely realistic dynamic reproduction across the entire audio spectrum. Numerous controls at the front panel allow detailed adaptations to different acoustic environments.

This main monitor offers very high accuracy and power in sheer abundance. SPL peaks beyond 120 dB are produced without any compression or harshness. The S6X is a top shelf choice for larger control rooms and film or sound studios.

Control panel (S6X & S7A Mk2)

Numerous controls on the front panel introduce a new degree of control for main monitors. Along with the input gain, there are level controls for each of the four drivers, shelving filters on both ends of the frequency spectrum, and three full parametric EQs (20-200Hz) that can be used to combat standing waves in the control room. The EQ can be bypassed individually or as a group so that their overall effect can be analyzed in direct comparison to the unaffected signal.

In large film score mixing rooms, it may be desirable to have a representation of the sound in the theatres. To meet the ISO 2969 Standard, the Dolby™ X-curve has to be applied.

Using pink noise, the X-curve engages a 3 dB per octave roll-off above 2 kHz. Both the S6X and S7A Mk2 have a switch that activates this filter, eliminating the need for external processing during the film mix.

A second switchable input on the front allows servicing without moving the unit.

All LED indicators can be dimmed if necessary.